Set & Costume Designer

Frankie Bradshaw

Selected credits

  • Piaf (Upcoming 2021)Nottingham Playhouse/Leeds Playhouse
  • SweatWest End/Gielgud Theatre/Donmar Warehouse
  • Two Trains RunningRoyal & Derngate/ETT UK Tour
  • JerusalemWatermill Theatre
  • Macbeth, Idomeneo, ElisabettaEnglish Touring Opera Spring Season 2019
  • Assata Taught MeGate Theatre

About

Frankie is a set and costume designer based in London.  She has worked across the UK in the West End and in venues including the National Theatre, the Donmar Warehouse, the Young Vic, the Royal Exchange in Manchester and Nottingham Playhouse. 

In 2019 she won the Stage Debut Award for Best Creative West End Debut with director Lynette Linton for their partnership on creating Sweat at the Gielgud Theatre.  Frankie was also a Linbury Prize Finalist in 2015 and a Jerwood Young Designer in 2017.

She was winner of the Off West-End Award for Best Set Design in 2016 for Adding Machine (Finborough Theatre) and was nominated for the Off West-End Award for Best Set Design in 2017 for Assata Taught Me (Gate Theatre).

Featured work

Sweat

Written by Lynn Nottage
Gielgud Theatre, Donmar Warehouse
Director: Lynette Linton
Lighting: Oliver Fenwick
Sound: George Dennis
​Photos by Johan Persson

“Frankie Bradshaw’s design is first monumental and decrepit, then bright and detailed. An industrial wasteland – rusty pipes the breadth of human torsos – gives way to a bright bar with a neon sign in cursive writing, plastic tomatoes for ketchup.”
★★★★★ Observer 

Two Trains Running

Royal and Derngate/ETT UK Tour
Director: Nancy Medina
Lighting: Amy Mae
Sound: Ed Lewis
Movement: Rachael Nanyonjo
Photos by Manuel Harlan

“An underlying sense of menace and instability is viscerally encapsulated by Frankie Bradshaw’s set…. above it a wrecking ball suspended from a chain seems caught at the moment of mid-swing, between the blow that has just destroyed and the blow that is yet to come.” ★★★★ Guardian

Jerusalem 

Watermill Theatre
Written by Jez Butterworth
Director: Lisa Blair
Lighting: Christopher Nairne
Sound: Tom Attwood
​Photos by Phillip Tull

“With a setting by Frankie Bradshaw that faithfully recreates the clutter around the caravan and winds May ribbons around the pillars of the theatre itself, she brings an element of tenderness into Byron’s relationship’s with those around him”
★★★★★ WhatsOnStage 

Assata Taught Me

Gate Theatre
Written by Kalungi Ssebandeke
Director: Lynette Linton
Lighting: Jack Weir
Sound: Richard Hammarton
Scenic Art: Richard Nutbourne
​Photos by Ikin Yum

“the design is a little miracle: Frankie Bradshaw conjures old Havana with a tiled floor, beaten copper walls and a crumbling ceiling.” Guardian

Skellig

Nottingham Playhouse
Writer by David Almond
Director: Lisa Blair
Lighting: Alexandra Stafford
Composer/Sound Design: Tom Attwood
Movement Director: Chi-San Howard
Photos by Marc Brenner

“The set, by Frankie Bradshaw, is a child’s dream: it inspires you to want to run up and explore, not sit back and sigh, as adults do, about having to clean it up.”
★★★★ The Times 

To request full CV or check availability

0207 2871441